I use Jason Statham’s WILD CARD to explain why low-budget straight-to-video action films are better than stuff that makes it to the theater.

I use Jason Statham’s WILD CARD to explain why low-budget straight-to-video action films are better than stuff that makes it to the theater.
I parse the differences between ACTS OF VIOLENCE (with Willis) and ACTS OF VENGEANCE (with Banderas).
“Banderas expresses the joy of acting even when he is giving a measured performance. His brooding has zeal to it…”
“As it stands, MISCONDUCT is mostly interesting in how it ill-uses institutions such as Hopkins and Pacino…”
For Pierce Brosnan’s birthday, a loot back at a good, overlooked recent film of his.
Johnny Depp on his best behavior, unfortunately.
Olga Kurylenko, My Movie Crush.
My first piece on “stealth cinema,” low-budget films with A-List actors, republished.
With Fast and the Furious 7 making something like 500 million dollars worldwide in four days, it’s no surprise that Hugh Grant’s genial romantic comedy The Rewrite was unceremoniously dumped: A … Continue reading The Secret Art of Light Comedy, and the Secret Release of THE REWRITE