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iamjameskenney

  • Art and Commerce: Michelangelo Antonioni’s BLOW-UP
    February 19, 2023

    Art and Commerce: Michelangelo Antonioni’s BLOW-UP

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  • Fred Astaire Fights Back!
    December 30, 2022

    Fred Astaire Fights Back!

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  • That’s Filmmaking: My Best Movies of 2022
    December 21, 2022

    That’s Filmmaking: My Best Movies of 2022

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  • The Viking Sea Lord takes on the Big Screen: Tom Selleck IS Lassiter!
    December 12, 2022

    The Viking Sea Lord takes on the Big Screen: Tom Selleck IS Lassiter!

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  • Sherlock in Wonderland: A look at Chuck Suffel’s new Sherlock Holmes adventure (and an interview with the Author)
    October 30, 2022

    Sherlock in Wonderland: A look at Chuck Suffel’s new Sherlock Holmes adventure (and an interview with the Author)

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  • The Man in Black: John Cusack in BLOOD MONEY and SINGULARITY
    September 30, 2022

    The Man in Black: John Cusack in BLOOD MONEY and SINGULARITY

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  • Put That Damn Phone Down! Stephen King’s De Facto Sequel to MAXIMUM OVERDRIVE…CELL!
    September 13, 2022

    Put That Damn Phone Down! Stephen King’s De Facto Sequel to MAXIMUM OVERDRIVE…CELL!

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  • Teaching The A,B,C’s of Real, Raw Living: Sidney Poiter’s To Sir, With Love!
    September 10, 2022

    Teaching The A,B,C’s of Real, Raw Living: Sidney Poiter’s To Sir, With Love!

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  • Jazz Noir: Mike Figgis’ Oddly Brilliant STORMY MONDAY
    September 4, 2022

    Jazz Noir: Mike Figgis’ Oddly Brilliant STORMY MONDAY

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  • Turbulent Entanglements: The Making of SQUIRRELS TO THE NUTS
    August 7, 2022

    Turbulent Entanglements: The Making of SQUIRRELS TO THE NUTS

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James Kenney writes about cinema, music, and culture—mainstream and marginal—guided by history, curiosity, and a belief in preservation.

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